Where sport creates opportunity.
A website engineered to sort every enquiry.
A website for a Dubai business connecting athletes, brands, investors and rights holders across global sport. Five practice areas shown as one business, one model for delivering them, and an enquiry form that names its discipline before anyone replies. Designed and built by Pivitt, live now.

Optima Sports and Capital
A website, designed and built by Pivitt.
Optima Sports and Capital builds partnerships across global sport: sponsorship, talent representation, investment, consultancy and a grassroots programme for emerging athletes. Its website had to present five practice areas as one business, explain how a deal is delivered, and turn interest into a conversation with the right person. We treated it as an engineering problem: the business in one line, a page built in the order a buyer’s questions arrive, five disciplines carried from the first band to the enquiry form, and a build that arrives in a single request.
The Challenge
Five practices can read as five small firms.
Sponsorship, talent, investment, consultancy and grassroots each have their own buyers. Set side by side without a shared idea, they read as a list. The site had to show one business with one way of working, and let each buyer find their own door.
What Was At Stake
The first thing a partner checks.
In sport and investment, the website is where an introduction gets checked before a call is taken. It had to read as credible to rights holders, governing bodies and investors from the first screen.
The Brief
Live, on Optima’s own account.
Designed and built by Pivitt, published on hosting in Optima’s own name, with enquiries captured by the host from the first day.
Measured on the live site on 2 November 2026: section heights at 1440 by 900, type and colour from its stylesheet in the browser, transfer from the network panel.
The Site, As a Visitor Sees It
Scroll the live page.




Engineering the proposition
The business in one line, before anything else is asked of the reader.
The One Line
The whole business, in the first screen.
The hero carries the proposition and nothing else: where sport creates opportunity. The line names the outcome every Optima buyer wants, whether they hold rights, capital or talent. Four pillars beneath it carry the proof: precision, networks, execution and long-term value.
Open full sizeEngineering the architecture
Built in the order a buyer’s questions arrive.
The Page as an Argument
Ten sections, one argument.
Each section answers the question the last one raises. What does Optima do? How is a deal delivered? Where does talent come from? How do I start? Measured at 1440 by 900, the page runs 6,013 px from the proposition to the footer.
Open full sizeThe Commercial Spine
Five disciplines, carried down the page.
Each discipline is named in the opening band, given its own card, listed in the enquiry form and repeated in the footer; grassroots also has its own section. Whichever door a buyer comes through, the same five names lead to the same form.
Open full sizeThe Model
One way of delivering all five.
The approach section sets out four stages for every discipline: identify, structure, execute, sustain. Sustain is a stage in its own right, because deals fail after signing. Grassroots runs its own four-step pathway for the athlete, from discovery to development.
Open full sizeEngineering the experience
Tone and timing, set by the page’s own code.
The Tone
Light to read, dark to deliver.
As the page turns from what Optima does to how it delivers, a layer tied to the scroll darkens the whole screen, and lifts again for the enquiry. Plotted from the site’s own script at 1440 by 900, the page is fully dark from 2,975 to 4,275 px of scroll: the approach and the grassroots pathway.
Open full sizeThe Opening
The first four seconds, in order.
The opening is timed in the stylesheet so the message lands in sequence: the name loads first, five vertical rules draw in, then the location, the headline line by line, the description and the call to action, all between 2.6 and 4.1 seconds.
Open full sizeThe design, part by part
Each section lifted out at 1440 and 390, and every component in its states.
Sections, Lifted Out
The hero, lifted out.
Every section captured from the live build at real size, at 1440 and at 390, read band by band as a visitor scrolls it. Dimensions sit above each capture; the numbers point to the type described beside it.
1234
- 1Location labelPlus Jakarta Sans 11 px at 1440 · 10 px on a phonewhite over the photograph
- 2HeadlineInstrument Serif 120 px at 1440 · 30 px on a phonewhite over the photograph
- 3DescriptionPlus Jakarta Sans 14.4 px at 1440 · 14 px on a phonewhite over the photograph
- 4Call to actionPlus Jakarta Sans 12 px at 1440 · 11 px on a phonewhite over the photograph
About and the pillars, measured.
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- 1EyebrowPlus Jakarta Sans 11 px at 1440 · 10 px on a phonesignal red on paper, 4.5 : 1
- 2HeadingInstrument Serif 64 px at 1440 · 24 px on a phoneink on paper, 19.6 : 1
- 3Body copyPlus Jakarta Sans 14.4 px at 1440 · 14 px on a phonebody grey on paper, 9.1 : 1
- 4FigureInstrument Serif 36 px at 1440 · 24 px on a phoneink on paper, 19.6 : 1
- 5Pillar titlePlus Jakarta Sans 14 px at 1440 · 14 px on a phoneink on paper, 19.6 : 1
The five disciplines, as cards.
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- 1HeadingInstrument Serif 64 px at 1440 · 24 px on a phoneink on white, 21.0 : 1
- 2IntroPlus Jakarta Sans 14.4 px at 1440 · 14 px on a phonebody grey on white, 9.7 : 1
- 3Card titleInstrument Serif 23 px at 1440 · 20 px on a phoneink on paper, 19.6 : 1
- 4Card copyPlus Jakarta Sans 12 px at 1440 · 12 px on a phonebody grey on paper, 9.1 : 1
- 5TagPlus Jakarta Sans 9 px at 1440 · 9 px on a phonefaint grey on paper
The four stages, on the dark page.
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- 1HeadingInstrument Serif 64 px at 1440 · 24 px on a phonewhite on ink, 21.0 : 1
- 2Stage labelPlus Jakarta Sans 11 px at 1440 · 11 px on a phonesignal red on ink
- 3Stage titleInstrument Serif 25.9 px at 1440 · 18 px on a phonewhite on ink, 21.0 : 1
- 4Stage copyPlus Jakarta Sans 13 px at 1440 · 12 px on a phonewhite at 45% on ink
The grassroots pathway, measured.
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- 1HeadingInstrument Serif 64 px at 1440 · 24 px on a phonewhite on ink, 21.0 : 1
- 2Body copyPlus Jakarta Sans 14.4 px at 1440 · 14 px on a phonewhite at 50% on ink, 5.3 : 1
- 3Card titleInstrument Serif 18 px at 1440 · 16 px on a phonewhite on ink, 21.0 : 1
- 4Card copyPlus Jakarta Sans 12 px at 1440 · 12 px on a phonewhite at 40% on ink
The enquiry block, measured.
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- 1HeadingInstrument Serif 64 px at 1440 · 24 px on a phoneink on paper, 19.6 : 1
- 2Field labelPlus Jakarta Sans 11 px at 1440 · 10 px on a phonefaint grey on paper
- 3SubmitPlus Jakarta Sans 12 px at 1440 · 12 px on a phonewhite on signal red, 4.8 : 1
- 4Detail labelPlus Jakarta Sans 11 px at 1440 · 11 px on a phonesignal red on paper, 4.5 : 1
- 5Detail textPlus Jakarta Sans 14 px at 1440 · 14 px on a phonebody grey on paper, 9.1 : 1
The footer, measured.
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- 1WordmarkPlus Jakarta Sans 10 px at 1440 · 9 px on a phoneink on paper, 19.6 : 1
- 2Brand linePlus Jakarta Sans 13 px at 1440 · 13 px on a phonemuted grey on paper
- 3Column headPlus Jakarta Sans 10 px at 1440 · 10 px on a phonebody grey on paper, 9.1 : 1
- 4LinkPlus Jakarta Sans 13 px at 1440 · 13 px on a phonemuted grey on paper
- 5Base linePlus Jakarta Sans 11 px at 1440 · 10 px on a phonefaint grey on paper
UI Parts, Isolated
The navigation, in every state.
Each component pulled out the way a design system documents it, from the site’s real markup and stylesheet, shown at its true size in every state the site defines.




- 712 × 56 px pill, radius 100, 16 px from the top
- White glass at 65%, blur 24 px; on the dark page, near black at 55%
- Links Plus Jakarta Sans 10 px, tracking 0.1 em; hover fills black at 4%


- Phone bar 366 × 50 px, 12 px from each edge
- Menu links Instrument Serif 24 px, rows 70 px tall
- Close button 44 px, round
Three buttons, every state the site has.








- Call to action 272 × 50 px · Plus Jakarta Sans 12 px, tracking 0.14 em
- Hover: a red fill wipes in from the left in 0.5 s
- Submit: white on signal red, 4.8 : 1; hover deep red, 6.5 : 1
- Focus: the browser’s own ring; the site sets none
The discipline card, at rest and on hover.


- 360 × 434 px · photograph 160 px tall · border 1 px
- Title Instrument Serif 23 px · copy 12 px, body grey on paper 9.1 : 1
- Hover: border to signal red, lifts 4 px, tags turn red
The stage tile and the grassroots card.




- Stage 323 × 307 px, padding 36 · title Instrument Serif 26 px
- Grassroots card 306 × 152 px, padding 28
- Hover: ground to near black; a red rule draws under the stage
The pillar row and the form fields.







- Pillar row 612 × 81 px; hover insets 8 px and turns its rule red
- Field 641 px wide, underline 1 px; text 14 px, 16 px on a phone
- Focus: the label floats to 9 px in signal red
The Type
Two faces, one scale.
Instrument Serif carries the argument and Plus Jakarta Sans the detail. Headlines scale with the screen, from 30 px on a phone to 120 px at 1440, while body copy holds between 14 and 16 px. Every size here was measured in the browser at seven widths.
Open full sizeThe Grid
Three breakpoints, and one for the hand.
At 400, 768 and 1024 px the page rebuilds: the four approach steps run as four columns, then two, then one; the service cards go from three and a half in view to one. The custom cursor and the hero parallax only run where there is a mouse.
Open full sizeThe Palette
Paper, ink and one signal red.
Seven colours, held as tokens in the stylesheet. Body copy on paper measures 9.1 : 1, past the WCAG AAA line of 7 : 1; the signal red is kept for labels, rules and the call to action.
Open full sizeEngineering the build
One request, and an enquiry that arrives sorted.
The Build
One file, one request.
The page, its seven font faces and its photographs are delivered as a single document: one request, 861 KB transferred, no third-party scripts. The fonts arrive with the page, so the type never swaps after it appears. Measured on the live site on 2 November 2026.
Open full sizeThe Enquiry
Every enquiry arrives sorted.
Three fields are required, and one of them is the area of interest: the same five disciplines, plus other. Each enquiry names who should take it before anyone replies. A hidden field turns away bots, and the form submits without leaving the page.
Open full sizeThe Spec
The engineered site, specified.
Every decision on the site can be written down and traced to what the business needs. That is the difference between a website that is engineered and one that is decorated.
Open full sizeWhat It Proves
A website is engineered, not decorated.
- 01One line first
State the whole business in the first screen, and let everything below it carry the proof.
- 02One spine
Carry the same five names from the first band to the form, so every door leads to the same place.
- 03Order is the argument
Build the page in the order a buyer’s questions arrive.
- 04Built to a measure
Set size, colour, timing and weight as numbers, and check them at every width.
Where does your brand sit against the business?
Every engagement starts with the Brand Alignment Diagnostic, a fixed first step that scores your brand against the business and shows what to fix first.
