Pivitt
Diagnostic
Big Metal London jewellery, gold chain bracelet
Pivitt / Work / Big Metal London

Big Metal London

Brand identity · Jewellery

A heritage fashion-jewellery brand, given an expression as bold as the pieces, and a catalogue to carry it.

1987
Trading since
2
Concept routes
1
Refined direction
280
Catalogue pages

The brief

Bold pieces, a brand to match.

Big Metal London was known for big, characterful jewellery, but the brand around it had not kept pace. It needed a voice as confident as the product, flexible enough to run across social, retail and a full trade catalogue, and clear enough for the retail partners who sell it.

The reference

Where it started.

We opened with a reference board: the colour, type and photography that felt like the brand at its most confident. It set the tone before any layout existed.

Big Metal moodboard of colour, type and photography references
The reference board.

The directions

Two ways to look like Big Metal.

From there, two written directions. One bold and clear, leaning on strong type and a colourful scheme. The other more typographic and playful, with gradients and a softer, more sophisticated edge. Each came with its own type and colour logic.

Two brand directions: typography, font and colour rationale
The two directions, set out side by side.

The exploration

Two routes, taken into the world.

We pushed both routes far enough to judge them in real placements, not just on a page. The first leaned editorial, a serif voice with softer colour. The second was louder, a condensed display face built to hold a billboard or a station wall.

Route one, editorial serif system
Route two, bold condensed system
Route one, the editorial serif system. Route two, the bold condensed system.
Route one on a billboard Route two on an underground poster Route two across an underground billboard
Both routes, tested in real placements.

The direction

The loud one, refined.

Big Metal went with the bolder route. We tightened it into a statement-led system: a condensed display voice, a palette of deep navy, magenta and violet, and full-bleed colour blocks that let a single line carry a page.

Statement page, making a statement since 1987 Statement page, day and night Statement page, girls want to have fun
The full brand system, page by page.

In the world

On the street, day and night.

The system was built to work outdoors at scale, from a run of posters on a hoarding to a lit bus-stop after dark.

Big Metal posters on a hoarding
Big Metal bus-stop poster at night
Outdoor placements across the city.

The catalogue

From statement to SKU.

The same system carried into a product catalogue running to hundreds of lines, where the job changed from making noise to making it easy to order: clean product grids, codes, colourways and sizing, all under the one brand.

Selected pages from the product catalogue.
Printed Big Metal catalogue
Catalogue spread, glasses accessories and phone strap
Hair accessories catalogue on an in-station screen
The catalogue in print, and on screen in-station.

The outcome

One voice, from the first page to the last.

Big Metal came out of the work with a brand that matches the product, a direction confident enough to anchor a campaign and disciplined enough to run a catalogue of hundreds of lines without losing its voice.

Where it starts

Where does your brand sit against the business?

Every engagement starts with the Brand Alignment Diagnostic, a fixed first step that scores your brand against the business and shows what to fix first.